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	Title:	Description:

1.	[Bookseller's Ticket for Foster Brown]	Two bookseller's tickets ; text and a border printed in gold ink, one on brown paper and the other on black paper.

2.	[Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter]	Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon.

3.	[Bookplate for Oeuvre des Bons Livres de Montreal]	Printed in black ink on blue paper, an intricate border evocative of a tabernacle and constructed of fountains, geometric repeating patterns, and a cross surrounds the text.

4.	[Bookplate for Oeuvre des Bons Livres de Montreal]	Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns.

5.	[Bookplate for Oeuvre des Bons Livres de Montreal]	Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.

6.	[Bookplate for Oeuvre des Bons Livres de Montreal]	Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.

7.	[Bookplate for Notre-Dame-de-Grâce by Avis Selina Fyshe]	The image border, black ink on white paper, depicts the variety of topics of children's literature included in the library: travel, myths, fairy-tales, nature, crafts, sport, pets, legend, music, adventure, history, and science. Each subject is displayed with a representative image, including, train, plane, covered-wagon, trumpeter, knight, dragon, dog, rabbit, sailing boats, people, ostrich, monkey, princess and pegasus.

8.	[Bookplate for Morley Ayearst by Stanley Howard]	Black ink on white paper. Bookplate design mimics a decorative medieval manuscript. An elaborate letter A is decorated with interlocking swirls and a Celtic knot pattern. Decorative features surround the letter and below it is stylized black font surrounded by black dots. There is also text in the same font above and to the right of the letter A.

9.	[Bookplate for Military Institute of Vancouver]	Black ink on white paper. Thin border surrounds text. Arms and monogram of Military Institute at centre. Name of donor typed at bottom. Corrected typo in name.

10.	[Bookplate for Mary Alice Peck]	Black ink on grey paper. The top portion of the bookplate features a series of vines on which appear to be bell shaped flowers, beneath which lies the owner's name.

11.	[Bookplate for Lloyd E. Roscoe]	This bookplate is executed in brown ink on cream paper. The image depicted in the center of the bookplate is of thirteen books above which is a shelf holding a vase with flowers and an open book. A large, open window is placed above the shelf which looks out into a peaceful garden that contains trees and a sundial. The heading on the window contains the words "Ex-Libris." Surrounding the image is a thick border in which a ribbon circles around a leafy vine. The ribbon is imprinted with the phrase "A book is like a good friend ; my friends I would forever keep."

12.	[Bookplate for Lewis Harcourt]	There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century.

13.	[Bookplate for L. M. Stauffer by Stanley Harrod]	In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'.

14.	[Bookplate for Karl Hermann and Michael B. Kunze]	In black ink on white coated paper, an image of a farmer's field. A farmer strolls away from the observer spreading seed from a side-bag. In the distance is what appears to be a town and a church steeple which is framed by radiating sunlight. In the sky above is a bird, possibly a dove. To the right of the field is a road lined with narrow trees and farmhouse situated at the base of a hill, on which possibly sits a castle. In the foreground is a piece of farming equipment and foliage frames the german expression "Und Erliches fiel aut ein gutes Land". The entire image is framed by a shaded border, rounded at the top.

15.	[Bookplate for J. W. Longley by Francis Adams Sc.]	Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font.

16.	[Bookplate for Hill’s Library]	Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.

17.	[Bookplate for Hill’s Library]	Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.

18.	[Bookplate for Hill’s Lending Library]	Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.

19.	[Bookplate for George T. Turner by H. L. Peckmore]	This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials.

20.	[Bookplate for George Grey]	In black ink, this bookplate contains an escutcheon with a barry of six pieces, argent (silver) and azure (blue), and a bend gules (red). On the bend are three roundlets bezant (gold). A diadem crest containing a swan rising with wings addorsed and elevated, and a trefoil on its breast. Below the escutcheon is a banner containing the French motto.

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